The Real Michael Lee

Song Sketchbook #6: RSVP: Party In My Bunker

Song Sketchbook 6 RSVP Party In My Bunker

This week’s song sketch is about a paaarrrtaay! Also the end of the world… Because that’s not on anybody’s mind nowadays AT ALL.

I had originally written this song a while ago and largely forgot about it. It wasn’t until it popped into my head over the weekend, totally out of the blue, that I decided to “do it up” for the sketchbook. I shortened it by quite a bit (I scrapped most of what was a second verse and re-worked my favorite lines from it elsewhere), upped the tempo and added a little solo. I still hear things I’d like to tweak if it makes the cut, but I’m enjoying it a lot more than I did previously.

RSVP also includes a nod to one of my favorite musicians. I’m not going to say who or where the nod is in the song, because where’s the fun in that? If you know, feel free to post in the comments!

I’m Out of Ideas…

Not really! But I do want to talk about inspiration and what one CAN do when they feel the ol’ creative well is dry.

Inspiration doesn’t always come in a glorious flash of brilliance. The old lightbulb analogy, while occasionally apt, is usually not the case. The Muse is sometimes shy and often requires work to coax out of hiding. So what can you do when you’re staring at a blank page with nothing coming out of your pen? Here are five tips I believe are helpful to find inspiration when inspiration doesn’t want to find me.

1: Let your mind wander. While this may seem like an obvious thing to do, it can be challenging when faced with a deadline. When one over-focuses on the finish line, you tend to lose focus on your work, so the deadline becomes a distraction and your mind can’t naturally wander for ideas. Let that go, even if it’s just for fifteen minutes, and fiddle around on the guitar or whatever instrument you’re writing with. Just relax and play whatever comes out. Be it random chords or even someone else’s song. This might appear to be easier said than done, but doing this can loosen the brain, so to speak, and allow your thoughts to flow more freely. PLUS you might even come up with something you can use in your song!

2: Go backwards. There’s no set way to write a song. If you’re having trouble with your song, try writing the end first and work backwards. This works for any part of the song, really. If you end up stuck on one part, go to another part that you maybe have a slightly better formed idea for. Be it the music in the mid eight or a bit of lyrics in the third verse, nothing says you have to start at the beginning or even a whole part of a song in order. When stuck, I’ve left blank spots in verses to swing back to. I do this more now with the weekly songs, but I find it very helpful. Just don’t forget to come back to them! Admittedly, I once forgot about a lyrical blank spot in a verse and had to write it in when recording the vocals. It worked out in the end, but now I leave a note or something to flag me to come back to that spot.

3: Listen to other music. This might seem detrimental, as you’re trying to be original in your work and, you know, not get sued. But hearing what others have done can open some creative doors. Just don’t copy their work. The trick is to take the FEEL of what they’ve done and filter it through yourself. I’ve done this a couple times specifically with a song’s structure. I’ll hear whatever song and say (to no one) “I want to do something like THAT” and point to the stereo (also for no one). Then I’ll try to apply that feel into whatever song I’m working around it. DO NOT lift whole rhythms or chord structures. That’s when you get into lawsuit territory. To avoid this I’ll listen to whatever song once, maybe twice to get the idea down, then stop listening to it altogether until I’m finished. That way the other song is less “in my head” and my song takes over.

4: Keep your eyes and ears out for ideas. The world is chock full of ideas, you just need to be receptive to them. Always have your “writer’s glasses” on and keep an eyes and ears out for these ideas. A seemingly innocuous phrase heard in passing or a random sign on the street could be the spark to fire your imagination into creating a great song. If you’re creatively stuck, change your scenery (if safely able to do so) and look and listen around. Not only will this refresh your brain, but it’ll give you to the opportunity to discover these ideas. I’ve also found that when you’re already in “writing mode” you’re more receptive to these ideas because your brain is already thinking in that way. Just don’t forget the idea when it appears! Which leads me to my final tip:

5: Keep a cache of song ideas. Be it a small notepad or an app on your phone, having the ability to write down your ideas at any time is extremely important. It also gives you something to look at for inspiration. I personally write and save an email draft on my phone. That way my ideas are backed up on the cloud in case my phone is lost/stolen/thrown in a lake by a toddler.

So there you have it. Five tips for finding inspiration when inspiration seem nowhere to be found. I hope you find some use from these and feel free to share your own tips in the comments.

Song Sketchbook #5: Disappearing Daughter

Song Sketchbook 5: Disappearing Daughter

I want to start this post by saying I have NOT, I repeat NOT lost my daughter at any given time. These are characters loosely based on real people, so don’t go calling DCFS because of this song! I take that as assumed, but you never know.

What I have done here is reached out of my comfort zone and tried out the finger picking I’ve been practicing. It’s not perfect, but then again this experiment isn’t about perfection, it’s about GROWTH! Trying new things, pushing my creativity/abilities and really working to lay the groundwork for (what I hope) will be a solid first full-length album. All the while bringing you along for the ride with the hope that it will inspire others the way I’ve been inspired by those who have done something similar.

If Disappearing Daughter makes the cut for the album, I’ll definitely go and tweak the lyrics and the cadence in which they’re sung. One of the things with doing a weekly song is that you really don’t have the time to let the song grow, so often times the lyrics end up a bit loose. Don’t get me wrong, I don’t totally dislike them. I just know they might need some tightening up.

I’ve heard it said, and I firmly believe, that great songs are not written in one go. They live and evolve over time to become great. Imposing a seven-day time limit to create a song doesn’t really allow a song to grow. BUT, what it does do is plant the seed for great music.

For me (and I know others) the hardest part about writing is showing up for it. There are so many distractions available these days that if I didn’t impose a time limit on my work, I’d never tend to my musical “garden” and sit down to write. But gardens don’t grow overnight, so while the songs might not be quite there yet (hence calling them “sketches”), I’m at least planting the seed for something potentially great.

So enjoy this little sprout of a song and I’ll see you next week.

Additional Thoughts on “You Never Really Saw Me Anyway”

Right off the bat, I think the most nagging thought I have about “You Never Really Saw Me Anyway” is it needs a banjo and mandolin. Two instruments I do not own (but would definitely like to own). To fill that void, I ended up using a capo and playing a C major chord structure in G major (which is the key of the song). I think it was largely successful in this instance (although I mixed it way down to mask it), but if this song makes the cut for the album, I’ll definitely want to do it up right.

Another interesting thing about this song is the tone. I believe I would want to add more spite to the vocals, but the bluegrass feel almost makes it seem MORE spiteful due to the fact it’s an angry song with an upbeat sound. I can’t quite put my finger on WHY, but that’s what I’m getting.

Finally, the length of the song is noteworthy. When I embarked on this weekly song sketch project (which, yay me, I’ve maintained for one whole month without missing a week) I decided to actively work towards shorter, punchier songs. The shortest song on Hold Still is under two minutes, with the rest clocking in at three plus minutes. While I like Tiny Crab > Big World, six minutes is a long time for a song to last. So, when writing these songs I’ve been looking at the structure and thinking what it actually needs. Does the song NEED three verses? Does that solo REALLY have to be there? When I wrote the songs for Hold Still, I was very much stuck on the standard song structure because I was learning how to write songs. Since then I’ve become more comfortable with writing and can (at least I think) better say just as much in fewer words/musical phrases.

As an artist it’s important to continually grow/learn and actively work towards self improvement. If you STOP trying to grow you’ll stagnate and eventually wither as innovation is the lifeblood of art. Don’t worry about what your fans will think. If they’re truly fans the’ll appreciate your work regardless of how different it is from everything else you’ve done. So keep moving, keep changing and keep innovating.

Song Sketchbook #4: You Never Really Saw Me Anyway

song sketchbook 4 you never really saw me anyway

This week’s song sketch… It kind of came out of nowhere when I was processing the Black Lives Matter movement that has (rightfully) been brought to the forefront of everyone’s attention. It’s a breakup song, and the euphemism of black Americans being in a toxic relationship with white Americans clicked when I heard an analogy made between an impromptu song sung by the artist/national treasure Jean Grae from the perspective of her cat and the centuries-old struggle of the black American population. Her line “why isn’t anybody looking at me” as a euphemism for the struggle is very apt. Just look. They are your friends, neighbors and loved ones. SEE them and SEE their daily struggle against the systematic racism that is so ingrained in this country. As a white dude I can’t even pretend to begin to begin to begin to understand. But I, and I hope you too, can SEE and ACT. Everyday. Because white America never really LOOKED at the struggle until it was thrust onto the national stage. And it’s long past due we did.

I do have notes on the song, but I will hold off on posting those so the above can sink in. In the meantime, check out the song below then feel free to go here and do some good.

Look! A New Look!

I found a new WP theme that I like much better than the previous one. It’s cleaner and everything should be much easier to find and navigate to/through. I’m still tweaking a few things, but it’s definitely on the right track.

Song Sketchbook #3: One Wasted Day

song sketchbook 3 one wasted day

This week’s sketch is an interesting one for me because it would not have been possible without some of the recent upgrades to my recording setup (specifically the drums). It’s also interesting (again to me) because of how I wrote it. I started on bass where I figured out a few lines for the chorus and verse. I then wrote the lyrics and THEN wrote the chords (which were only somewhat matching up to the original bass lines I wrote since the song had mutated by then). Usually it’s chords > lyrics with the bass as an afterthought. I should really make a point to give the bass more love in my song writing…

The subject matter of the song is pretty straightforward and is something I feel is quite relatable. You have stuff to do, but there’s a world of distractions tempting you away, and when you finally DO get around to your task it’s too late. I wrote it because I really didn’t feel like writing about anything. I have a bunch of ideas, but at the time I needed to start writing the next song I wasn’t really feeling up to tackling any of them. Something clicked in my brain and this song emerged. Maybe it was the backwards approach to writing I mentioned above. Who knows? The muse works in mysterious ways.

Anyway, here’s One Wasted Day.

Welcome to the Official Website for The Real Michael Lee!

“A website! How fancy and modern of you!” Is what I can only assume you are thinking right now. Yes, I finally got the website going. It’s built in WordPress and I’m still toying with things, but at least I can now keep everything under one roof, so to speak.

I’m using a blog WP theme as an easy-to-access way to post and compile the weekly Song Sketches, as well as any and all other tidbits I want to write. There is also a handy RSS link at the bottom of the page to follow along that way. Also also there now is the ability to comment on my posts, which may or may not be a good thing, but we’ll see!

As mentioned above I’m still setting things up, so stuff might get moved around or the theme might change. If I make any major changes I’ll post about it so I don’t get any “Hey, your site is broken!” emails.

Song Sketchbook #2: It’s All Been Done

song sketchbook 2 its all been done

Before you ask, no this isn’t a cover of a song by a certain Canadian band. What it is, however, is a good example of what this project embodies. It’s is definitely a “sketch” of a song. Now, don’t get me wrong, it is a full song that can be listened to, but I don’t believe the concept of the song is fully formed yet. There are bits I like, for instance the dirty, drunk electric guitar and the chug of “it’s all been done” in the chorus, but overall I believe that if this song makes the cut for the album, it will mutate quite a bit both sonically and lyrically. 

This song also incorporates some new tricks as well as a few technological advancements. For starters it changes key not once, but twice (A major > G major in the chorus, then to E major for the bridge). I also experimented with the song structure to make it shorter. Finally, incorporates a new drum program as well as a new mic for the electric and bass. 

That’s all for now. See you next week!

Song Sketchbook #1: Tattoo

song sketchbook 1 tattoo

With the release of my first EP two weeks ago (titled Hold Still, available most everywhere digital music is sold/streamed), I was thinking on what to do next. I want to keep the content coming and not just release performance videos (which, admittedly, are not easy to make) or acoustic demos on Bandcamp. After a lot of thought I decided to do this experiment I’m calling a Song Sketchbook. The idea is that I’ll write and record a song in a short amount of time. I’m not saying how short so I don’t over promise anything, but that will hopefully be apparent soon. These will effectively be glorified demos, but hopefully more than just me and an acoustic. (No promises!) I want them to be listenable as stand alone songs. Anyway, I’ll do this for, say, 12 or 14 songs. Then, when I feel I have enough content, I’ll take the best of the bunch and fully work them up for my next album. At that stage they could end up completely different from their Sketchbook versions. Who knows?! After that, I’ll possibly do it again (hence the “season” descriptor). I’ll also be releasing these in a blog format as a way to engage as well as offer insight into the process. That idea isn’t anything original, but I believe it is effective, so I’m stealing it!

The first song in this little experiment is called Tattoo. It’s about a person trying to come up with a really good idea for their first tattoo. Enjoy!